BRZRKR the New Movie Written and Directed by Keanu Reeves, the Eternal Champion Elric of Melniboné by Michael Moorcock and The Hero with a Thousand Faces by Joseph Campbell
BRZRKR is a comic book series created and written by Keanu Reeves and Matt Kindt and drawn by Ron Garney. The comic follows an immortal warrior, known as Berzerker, as he fights through the ages
BRZRKR the New Movie Written and Directed by Keanu Reeves, the Eternal Champion Elric of Melniboné by Michael Moorcock and The Hero with a Thousand Faces by Joseph Campbell
BRZRKR is a comic book series created and written by Keanu Reeves and Matt Kindt and drawn by Ron Garney. The comic follows an immortal warrior, known as Berzerker, as he fights his way through the ages.
Fittingly, Reeves will play the title character in both the upcoming live-action series and the anime.
The ultra-violent comic follows an immortal berserker — who coincidentally looks almost exactly like Keanu — over his 80,000 year life, culminating in the present day, where he works for the US government in exchange for help discovering the secrets of his life and how he can finally die. It’s a similar concept to Netflix’s Charlise Theron's The Old Guard, and Vin Diesel's The Last Witch Hunter 2015 which is also based on a popular run of comics and is viewed as another potential franchise for the streaming service.
Elric of Melniboné is the last emperor of the stagnating island civilization of Melniboné. Physically weak, the anemic Elric must use drugs to maintain his health and vitality. From childhood, he read freely in the immense royal library and learned of the world outside the Dreaming Isle. Perhaps due to this in-depth study, unlike other members of his race, Elric has a conscience.
He witnesses the Satanic decadence of his culture which rules without conscience, by torture, incest, pedophilia, sodomy and human sacrifice to it's Gods, the Lords of Chaos, which once ruled the known world
Like the Satanic Phoenician Mega Trillionaires they worry about the rise of the Young Kingdoms populated by humans.
Satanic Phoenician Mega Trillionaires like Melnibonéans consider themselves separate from humanity, along with the threat they pose to his empire as they evolve and become stronger. Because of Elric's introspective self-loathing and hatred of Melnibonéan traditions, his subjects find him odd and unfathomable.
Elric is described in 1972's Elric of Melniboné:
It is the colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone.
Elric's discovery of the sword Stormbringer serves as both his greatest asset and disadvantage. The sword confers upon Elric strength, health, and fighting prowess, allowing him to do away with his dependence on drugs, but it must be fed by the souls of intelligent beings. In the end, the blade takes everyone close to Elric and eventually Elric's own soul as well. Most of Moorcock's stories about Elric feature this relationship with Stormbringer, and how it—despite Elric's best intentions—brings doom to everything he holds dear.
In addition to his skill with herbs, Elric is an accomplished sorcerer and summoner. As emperor of Melniboné, Elric is able to call for aid upon the traditional patron of the Melniboné emperors, Arioch, a Lord of Chaos and Duke of Hell. From the first story, Elric uses ancient pacts and agreements with not only Arioch, but various other beings—some gods, some demons—to help him accomplish his tasks.
Lords of Chaos, Demons and Dukes of Hell live outside the body on the Astral plane forever, immortally as long as they are fed by blood, the soul energy of the murdered. In this Elric is complicit as his Albino weakness is only overcome by vampirised energy from the Soul Sucking Demon Sword.
Stormbringer is described as a huge, Demon infused black sword covered with strange runes, created by the forces of Chaos with its own will. It is wielded by the doomed albino emperor Elric of Melniboné.
This powerful enchanted black blade is a member of a demon race that takes on the form of a sword, and as such is an agent of Chaos. Stormbringer's edge is capable of cutting through virtually any material not protected by potent sorcery, and it can drink the soul from (and thereby kill) any unprotected living creature upon delivering any wound, even a scratch.
Its most distinctive features are that it has a mind and will of its own, and that it feeds upon the souls of those it kills. This Soul Sucker vampire sword delivers a tithe of the energy it Vampirises to Elric who is weak without the vampire energy of the Sword. More than anything else, the evil Demon Sword loves to kill everyone Elric loves.. Elric loathes the sword but is almost helpless without the strength and vitality it confers on him.
Stormbringer's hunger for souls is such that it frequently betrays Elric by creating a bloodlust in his mind, turning in his hands and killing friends and lovers. The cursed nature of the sword adds to Elric's guilt and self-loathing, even as he feels pleasure when the stolen lifeforce enters his body.
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In the book The Quest for Tanelorn, a character claims that the demon in the sword is named Shaitan – a variant of 'Satan', and in Arabic a word meaning a devil, if not the Devil. In the same book it is revealed that the demon can inhabit either the black sword or the black jewel, the jewel which was once embedded in the skull of Dorian Hawkmoon. Hawkmoon was an avatar, like Elric, of the Eternal Champion.
The theme of a cursed magical sword which causes evil deeds when drawn goes back to the sword Tyrfing in Norse Mythology, with which Moorcock was likely familiar. Stormbringer was influential in popularizing this trope in the fantasy genre.
Moorcock intended the sword character to serve as a key element of his discussion of "how mankind's wish-fantasies can bring about the destruction of... part of mankind". Claiming influence from Freud and Jung he says: "The whole point of Elric's soul-eating sword, Stormbringer, was Satanic - Aleister Crowley Black Magic Addiction: to sex, to violence, to big, black, phallic swords, to drugs, to escape. That's why it went down so well in the rock’n’roll world".
The Eternal Champion is an appointed paladin of Balance who is bound to exist in each and every world and age of the Multiverse, so that Law and Chaos are perpetually kept in check; however, he often does not know of his role or struggles against it, never to succeed. Since he must intervene whenever either Law or Chaos has gained an excess of power, requiring him to tip the scales accordingly, he is always doomed to be surrounded by strife and destruction, although he may go through long periods of relative quiet.
All the different Eternal Champions are implied to be different facets or "incarnations" of one semi-conscious being (a platonic archetype of a sort): most of them are peerless fighters and generals and have an unbreakable bond with a sentient Chaos-aligned weapon, the Black Sword, which in turns takes on a different form for each Champion.
Moorcock's Champions all have the initials, JC as in Jesus Christ, the first Eternal Champion.
Neo in the Matrix series of movies inhabited by Keanu Reaves is one of these Eternal Champions.
Whenever dharma declines and the purpose of life is forgotten, I manifest myself on earth. I am born in every age to protect the good, to destroy evil, and to reestablish dharma... Krishna, The Bhagavad Gita
The Hero with a Thousand Faces (first published in 1949) is a work of comparative mythology by Joseph Campbell, in which the author discusses his theory of the mythological structure of the journey of the archetypal hero found in world myths.
Since the publication of The Hero with a Thousand Faces, Campbell's theory has been consciously applied by a wide variety of modern writers and artists. Filmmaker George Lucas acknowledged Campbell's theory in mythology, and its influence on the Star Wars films.[1]
The Joseph Campbell Foundation and New World Library issued a new edition of The Hero with a Thousand Faces in July 2008 as part of the Collected Works of Joseph Campbell series of books, audio and video recordings. In 2011, Time named it among the 100 most influential books written in English since 1923.
Campbell explores the theory that mythological narratives frequently share a fundamental structure. The similarities of these myths brought Campbell to write his book in which he details the structure of the monomyth. He calls the motif of the archetypal narrative, "the hero's adventure". In a well-known passage from the introduction to The Hero with a Thousand Faces, Campbell summarizes the monomyth:
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.
In laying out the monomyth, Campbell describes a number of stages or steps along this journey. "The hero's adventure" begins in the ordinary world. He must depart from the ordinary world, when he receives a call to adventure. With the help of a mentor, the hero will cross a guarded threshold, leading him to a supernatural world, where familiar laws and order do not apply. There, the hero will embark on a road of trials, where he is tested along the way. The archetypal hero is sometimes assisted by allies. As the hero faces the ordeal, he encounters the greatest challenge of the journey. Upon rising to the challenge, the hero will receive a reward, or boon. Campbell's theory of the monomyth continues with the inclusion of a metaphorical death and resurrection. The hero must then decide to return with this boon to the ordinary world. The hero then faces more trials on the road back. Upon the hero's return, the boon or gift may be used to improve the hero's ordinary world, in what Campbell calls, the application of the boon.
While many myths do seem to follow the outline of Campbell's monomyth, there is some variance in the inclusion and sequence of some of the stages. Still, there is an abundance of literature and folklore that follows the motif of the archetypal narrative, paralleling the more general steps of "Departure" (sometimes called Separation), "Initiation", and "Return". "Departure" deals with the hero venturing forth on the quest, including the call to adventure. "Initiation" refers to the hero's adventures that will test him along the way. The last part of the monomyth is the "Return", which follows the hero's journey home.
Campbell studied religious, spiritual, mythological and literary classics including the stories of Osiris, Prometheus, the Buddha, Moses, Mohammed, and Jesus. The book cites the similarities of the stories, and references them as he breaks down the structure of the monomyth.
The book includes a discussion of "the hero's journey" by using the Freudian concepts popular in the 1940s and 1950s. Campbell's theory incorporates a mixture of Jungian archetypes, unconscious forces, and Arnold van Gennep's structuring of rites of passage rituals to provide some illumination. "The hero's journey" continues to influence artists and intellectuals in contemporary arts and culture, suggesting a basic usefulness for Campbell's insights beyond mid-20th century forms of analysis.
George Lucas' deliberate use of Campbell's theory of the monomyth in the making of the Star Wars movies is well documented. On the DVD release of the famous colloquy between Campbell and Bill Moyers, filmed at Lucas' Skywalker Ranch and broadcast in 1988 on PBS as The Power of Myth, Campbell and Moyers discussed Lucas's use of The Hero with a Thousand Faces in making his films. Lucas himself discussed how Campbell's work affected his approach to storytelling and film-making.
Understand that you are the Eternal Champion. Like every human being, you are the son or daughter of God!. Through every one of your hundreds of past lifetimes, you have been striving to escape the Matrix. This pits you eternally against the prepared opposition. Until you succeed. And conquer....
Moorcock acknowledges the work of Bertolt Brecht, particularly Threepenny Novel and The Threepenny Opera, as "one of the chief influences" on the initial Elric sequence; he dedicated 1972's Elric of Melniboné to Brecht. Moorcock has referred to Elric as a type of the "doomed hero", one of the oldest character-types in literature, akin to such hero-villains as Mervyn Peake's Steerpike in the Titus Groan trilogy, Poul Anderson's Scafloc in The Broken Sword, T. H. White's Lancelot in The Once and Future King, J. R. R. Tolkien's cursed hero Túrin Turambar, and Jane Gaskell's Zerd in The Serpent.
The story of Kullervo from Finnish mythology contains elements similar to Elric's story, such as a talking magic sword and fatal alienation of the hero from his family. Besides Elric, Kullervo has been proposed as having influence on Poul Anderson's 1954 novel The Broken Sword, and J.R.R. Tolkien's Túrin Turambar. Moorcock has stated that the Kalevala was read to us at my boarding school when I was about seven", and "from a very early age I was reading Norse legends and any books I could find about Norse stories".
The Dark Gods lie…
The Satanic Phoenician Mega Trillionaires are the most mind controlled of all and it is the Dark God Demonic possession of the Satanic Phoenician Mega Trillionaires, entering into and taking over prepared bodies of the Elite by the Dark Gods by satanic technologies like the Palladian Ritual which control the whole edifice.
The Dark Gods, like Moorcock's Lords of Chaos, the Dukes of Hell, The Demons, live out of the Body on the Astral Plane in Private Universes. They Live forever, immortally, as long as they can vampirise the energies of Humanity by means of Energy Blockages implanted into all humanity- sucking the energies back to them through energy cord straws from the implant blockages back towards them with thousands of cords from thousands of people like a telephone exchange.
Humanity is connected to the energy of God, supported, fed, by the energy of God every night in sleep by means of the Antahkarana column of energy from the Crown Chakra through an infinity of chakras above the head.
The Dark Gods have cut themselves off from God and from their Hearts. They are conscienceless and Heartless - less than Human. Thus they must parasitise humanity in order to live forever.
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Last picture looks like a swastika, pardon me..